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This film will find an audience, but whether you'll enjoy it will depend on how 'fast-paced' you like your movies. However, I would have liked a few more scares and a little more action somewhere along the way. The characters and the way the actors portray them deserves credit and there is certainly an air of tension created. Others simply find it too slow to be scary and/or exciting. Some see it as not that much of a horror - more a slow-burning suspenseful ghost story, putting characters over gore. I've checked other reviews and it seems that people either love or hate the film. This is where the film could fall down for some. The story progresses and the tension slowly mounts. The two youngsters play their parts well. The inn is supposedly haunted and they decide to try and prove the stories true before the building is finally shut for good. It's about two workers at an inn which is due to close in the next few days. I use the term 'horror' over supernatural because on the 2-3 parts of the film where it actually gets scary, the scenes would probably fit more with other, more mainstream popcorn horror films. It is however one of the slowest moving horror films ever. It shows a blooded hand ringing a bell, implying that this will be some sort of gore-fest. Producers: Peter Phok, Larry Fessenden, Derek CurlĮxecutive producers: Malik B.The Innkeepers' cover artwork is a little misleading (I haven't seen the trailer, so I can't comment on that). Venue: South by Southwest Film Festival, Spotlight Premieres section (Dark Sky Films)Ĭast: Sara Paxton, Pat Healy, Alison Bartlett, Jake Schlueter, Kelly McGillis, Lena Dunham, George Riddle
#The innkeepers reviews movie
Other horror fans will appreciate a movie that doesn’t need to beat them over the heads or eviscerate everyone onscreen to earn a shriek or two. Rotten Tomatoes, home of the Tomatometer, is the most trusted measurement of quality for Movies & TV.
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Effects are so understated, and so sparsely used, that many moviegoers would feel they don’t justify the build-up. The definitive site for Reviews, Trailers, Showtimes, and Tickets. When the basement finally needs investigating and the spirits get active, West keeps the thrills decidedly low-tech. It's nice to see a horror film that isn't all about gore and shock tactics but this film didn't quite work for me.
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The two make boredom and graveyard-shift exhaustion reasonably fun to watch enough so that the screenplay’s introduction of a once-famous TV actress ( Kelly McGillis) as a guest comes across almost as a distraction. Paxton, as a skinny tomboy with more enthusiasm than savvy, plays well off weary, sarcastic Healy, whose Luke is supposedly more knowledgeable about the hotel’s spooks (he maintains a web site that would have been cutting-edge in the mid-‘90s) but exhibits a suspicious lack of curiosity on this final weekend before closing. (At the premiere screening at SXSW, the crowd settled into this vibe so much that they kept laughing with apparent enjoyment, not mockery once the scares fired up.) Given West’s foreplay-heavy approach to horror, in which almost nothing really scary happens until the final act, viewers will appreciate the easy dynamic between two likable actors, and many will read the movie as more of a comedy than a fright flick. Claire ( Sara Paxton) and Luke ( Pat Healy) take turns manning the front desk during the century-old hotel’s closing weekend, tending to the two or three remaining guests while taking breaks to hold microphones in vacant rooms, hoping to record a ghost. The owner of the Yankee Pedlar Inn has gone fishing on its last weekend of business, leaving his young employees Claire (Sara Paxton, 2009's 'The Last House on the Left') and Luke (Pat Healy, 'The Assassination of Jesse James by the Coward Robert Ford') in charge. Shot in the Connecticut hotel where West’s crew stayed during Devil‘s production, the film cares more about the chemistry between its two leads than the paranormal lore that fascinates them both. The result is a largely entertaining picture with too few (and late-arriving) scares to satisfy the multiplex crowd, but one that will please many die-hard genre aficionados. AUSTIN - Following his grindhouse-loving House of the Devil with a ghost film that could have been mainstream in the ‘80s, Ti West exhibits less stylistic fetishism with The Innkeeperswhile remaining solidly outside of contemporary fashions.